Review: Josh Groban can’t save indulgent ‘Natasha, Pierre’
NEW YORK — You may not just passively consume “Natasha, Pierre & the Great Comet of 1812.” You must participate.
As soon as you enter the Imperial Theatre on Broadway, you are urged to clear paths for the hectic performers, be prepared to catch boxes of pierogis — not enough for all, mind you — and learn some Russian history from the Playbill’s helpful background briefer.
“Check out the family tree.