As far as ideas created under the almighty eye of the streaming algorithm go, “Yellowstone, but make it science fiction” isn’t a terrible one. The challenge here isn’t blending the Western and sci-fi genres: There’s lots of space for things to get weird in the rural West, as many films and TV series—recently, Jordan Peele’s Nope—have proven. The question is how the “god ‘n’ guns” conservative ethos of the Yellowstone franchise will sit alongside all of the woo-woo “time is a river” bullshit. Awkwardly, as it turns out, which is presumably why Outer Range's second season paradoxically downplays the strangeness while upping the time travel.
Season 1 took its time debuting “the hole,” a portal through time located in the pasture of a Wyoming ranch belonging to the upright, unsmiling Abbott clan. But it got there. Now Schrödinger’s cat is out of the cosmic bag, and people are diving through the dang thing all willy-nilly.
This does further complicate the lives of Royal Abbott (Josh Brolin) and his pious, faithful wife Cecelia (Lili Taylor), who’s as tangled up in all this time-travel hooey as anyone despite never taking a dip in the hole herself. She’s too occupied with repairing her family’s finances and reputation—both compromised back in Season 1—as well as caring for Autumn (Imogen Poots), the backpacker/aspiring cult leader who moves from a campsite on the Abbotts’ land into the family homestead at the beginning of Season 2. The reason for the upgrade? Royal’s convinced that Autumn is actually Abbott granddaughter Amy (Oliver Abercrombie), coexisting as a 9-year-old girl and as a full-grown adult, thanks to the magic of the hole.
