Gareth HUGHES (GBR) riding Classic Briolinca during the Grand Prix for the Blue Hors FEI World Dressage Team Championship at the ECCO FEI World Championships in Herning in Denmark between 6th – 14th August 2022
Gareth Hughes and Richard Davison hosted the “Dressage Unwrapped” masterclass at the London International Horse Show 2023, sharing exercises and tips on how to introduce the more advanced dressage movements into your horse’s training.
They were joined in the New Horizon Plastics London Arena by their demo riders: Gareth’s daughter and grand prix rider, 16-year-old Ruby Hughes and Classic Flamboyant, as well as Yasmin Ingham aboard her eventing World Championships-winning ride Banzai Du Loir.
Before working on the flying changes both Gareth and Richard spent time working on the quality of the canter with their riders. The changes are all about the canter and your ability to adjust and balance it, Gareth explained.
Richard had Yasmin work on counting her canter strides between markers and then changing the canter, adding or removing a stride.
“You don’t need an arena to do this, when you’re out hacking just pick two markers, like a fencepost, and do the same thing,” Richard said.
When introducing single flying changes he had Yasmin ride a serpentine down the arena, changing over the centre line. To start with, Banzai was quite reactive to the leg, so the two were working on making her aids as subtle as possible.
“If a horse reacts and makes a mistake in change, don’t punish him,” said Gareth. “They’ve offered a reaction and that’s what we want.”
With a reactive horse like Banzai, Richard described how he wouldn’t ride a change on every loop of the serpentine. Instead, on some loops, he would keep counter canter.
“This prevents horses from anticipating the change and helps to keep them on your aids,” he said.
Once the canter was established, Gareth took Ruby through an exercise that lays the foundation for the canter zig-zag in the grand prix.
On the long sides of the arena, he had Ruby ride a half-pass for four strides, ride straight for four strides, change, then straight into four half-pass strides back to the track, change, and finishing on another four straight strides in the long side.
That can seem like a lot of counting, but Gareth explained how important it is to be disciplined with counting your strides at this point – and getting it right – because the grand prix zig-zag is such a demanding movement that requires precision.
If it helps, you can have someone on the ground count your strides for you, as Gareth was doing for Ruby.
That same applies for tempi changes, for which Gareth had another tip.
“If we’re riding three-time changes, I won’t count ‘one, two, three; one, two, three,’ – instead I’d count ‘one, two, three; two, two, three; three, two, three,’ and so on,” he said.
The first number always indicates how many changes the rider has made. With precision again in mind, Gareth wants his riders to get into the habit early of riding a set number of changes, even in training.
Richard explained how the trot and canter should be adjustable during lateral work. He had Yasmin ride transitions within the pace in both shoulder-in and travers – at times extending the stride and at other times bringing it back.
“From the side, you shouldn’t be able to tell the horse is in shoulder-in or travers, the quality of the trot should look the same,” he said.
When people start to introduce lateral work they tend to bring the horses back too much. In contrast, Richard had Yasmin riding medium trot strides in shoulder-in, which you wouldn’t find in an eventing dressage test, but by riding these movements in training, it teaches the horse to maintain the impulsion when lateral work is introduced.
When working on the canter pirouette, Gareth started by asking Ruby to ride travers along the long side, making sure to keep the impulsion in the canter, before bringing the same exercise onto a circle around him. Ruby started by bringing the circle smaller, until it was around eight metres, still in travers. Gareth then asked her to gradually collect until the canter resembled a pirouette-canter.
“Training the pirouettes is like us going into the gym and squatting, it’s very demanding of the horse and you can’t ride it every day,” Gareth said.
To exit the travers on the eight-metre circle, Gareth first asked Ruby to ride straight, and then forward. This sequential pattern – riding straight and then forward – changing one thing at a time, is important because horses remember patterns explained Gareth.
“If Ruby had asked for both straightness and forwardness at the same time, the next time she asked the horse to go straight, she would also go forward,” he said.
The same rule applies to training sessions more broadly, with Gareth describing how he won’t just take his advanced horses through all the advanced movements in a single session.
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