Anyone who’s interviewed David Lynch knows he doesn’t like to talk about what his work means. In one-on-one conversations, the writer-director (and sculptor, painter, musician, and occasional weatherman) behind the singular movie masterpieces Eraserhead, Blue Velvet, and Mulholland Dr. comes across as affable, even gregarious. He’ll share memories from his past, and happily talk about some of the practical aspects of movie-making, like sound design or running a set. But he stops short of saying anything truly revealing.
If nothing else, Lynch’s reticence gets other people talking. From May to September 2017, cinephiles and telephiles tuned into Showtime to watch Twin Peaks: The...
