The Emperor of Atlantis, written in the Theresienstadt concentration camp in 1943, was staged in Geneva in March as part of a production that didn’t intend to save the world, but to imagine a new way of co-existing. The echoing chambers of the Palais des Nations in Geneva turned this month from a space for heavily scripted negotiations into an unlikely home for the baritone notes of opera. At a time when the very architecture of global governance is under strain and World War III is not unthinkable... Читать дальше...