Some writers would content themselves with one linguistic form for a debut novel. But perhaps as a consequence of his day job as senior editor for Granta, Max Porter couldn’t restrict himself to a straightforward narrative. Instead, he chose none at all. Grief Is The Thing With Feathers is billed as “part novella, part polyphonic fable, part essay on grief”. It is a cacophonous snapshot of the trauma felt by a family after the sudden death of their mother, told alternately by “Dad”, the “Boys” – and “Crow”. Porter’s conceit is to turn the emotion of grief into a black bird, who swoops into the bereaved family’s life in “a rich smell of decay, a sweet furry stink of just-beyond-edible food, and moss, and leather, and yeast”.
