The urge to dazzle can be its own straitjacket, and it’s one that weighs heavily on Meshal Aljaser’s feature debut “Naga.” He aims for a hurtling virtuosity, à la “Run Lola Run,” in depicting a disobedient young Saudi woman’s extreme travails in trying to get home before her strict curfew. But that quarter-century-old German thriller’s […]
