Adam Sandler’s new kids’ movie is an entertaining musical with an unlikely lesson in intergenerational discipleship.
A recent conversation in my Bible study turned to how we interact with people who are different from us. I assumed we’d talk about differences of ethnicity or religion, but the discussion focused on generational differences instead. The group is all recent college graduates, and we considered how we talk about boomers and millennials—but also how they talk about us as members of Gen Z.
There are tensions in those differences, but believers of older generations have also discipled and prayed for us. And soon after that conversation, I was reminded again of the deep value of those relationships in a place I least expected: Adam Sandler’s new Netflix kids’ movie, Leo.
Leo centers on a class pet lizard (voiced by Sandler) who suddenly learns he has just one year left to live. The realization forces him to consider what he wants to do with his remaining time, and his initial idea is to escape the classroom and explore the world. His bucket list includes hunting a fly, seeing the Everglades, and showing his moves to a lady lizard.
Leo’s escape plans are thwarted when the teacher decides he’ll be sent home with a different student each weekend. Soon, he finds himself less focused on flies and ladies and more interested in counseling the kids in his class, talking them through social dynamics, grief, and even early puberty.
Some of this happens in song—Leo is an entertaining musical with songs both satirical and thoughtful. The animation style varies throughout the film, distinguishing flashbacks and hypotheticals from the primary narrative. (A family member of mine was an artist on the film, but that relationship did not influence this review.) For younger viewers, the plot is easy to follow—a ...
