James Wan returns to the funhouse with the nutty, gnarly Malignant
James Wan is a conductor of fear, and in more ways than one. Watch Insidious or The Conjuring, and it’s easy to picture the director standing in front of the screen as though it were an orchestra, baton in hand—guiding the stings of staccato violin, yes, but also the general rise and fall of tension, and maybe the…