Beyond the Catchy Tunes: George Bruns and Craft of Transparent Underscoring
Video essay about George Bruns and the craft of transparent underscoring within Walt Disney's music department during the Wolfgang Reitherman era (Sleeping Beauty 1959, Goliath II 1960, One Hundred and One Dalmatians 1961, The Sword in the Stone 1963, The Jungle Book 1967, Aristocats 1970, Robin Hood 1973). Made as part of the audiovisual section of the NECSUS Autumn 2020 issue #Method, curated by Liz Green.
More information about my intentions HERE.